CMO PARIS

Hand-sculpted gesso creates fabulous crackle effects, stripes, fine ridges and a combed design, beautifully enhanced by flashes of gold, silver, copper and bronze. These genuine mineral sculptures present a unique range of options born of the hand of an artisan turned artist.

USEFUL WIDTH

Panels (60 cm x 90 cm (23,6” x 35”)

GESSO CUIVRE | CMO_WCA_01_70

33% Cotton 27% Metal 13,3% Calcium 13,3% Pigment 13,3% Polyvinyl Alcohol on a non woven backing

USE: Wallcovering

Gesso is a mineral material, modelled like clay in this instance. It is a rare skill that only a few people have mastered. The gesso is hand-sculpted by the artisan using a comb, spatula or knife. As it dries, the material sets and retains its sculpted shape. It takes one person one day to sculpt five meters per person.

Hand-sculpted gesso creates fabulous crackle effects, stripes, fine ridges and a combed design, beautifully enhanced by flashes of gold, silver, copper and bronze. These genuine mineral sculptures present a unique range of options born of the hand of an artisan turned artist.

Sold per meter, width 91,5 cm (35,8”)

Hand-sculpted gesso creates fabulous crackle effects, stripes, fine ridges and a combed design, beautifully enhanced by flashes of gold, silver, copper and bronze. These genuine mineral sculptures present a unique range of options born of the hand of an artisan turned artist.

USEFUL WIDTH

Panels (60 cm x 90 cm (23,6” x 35”)

GESSO ONDE AMBRE | CMO_WCA_02_20

40% Polyvinyl Alcohol 30% Calcium 20% Pigment 10% Mica on a non-woven backing

USE: Wallcovering

Hand-sculpted gesso creates fabulous crackle effects, stripes, fine ridges and a combed design, beautifully enhanced by flashes of gold, silver, copper and bronze. These genuine mineral sculptures present a unique range of options born of the hand of an artisan turned artist.

GESSO PEIGNE BRONZE | CMO_WCA_03_90

50% Polyvinyl Alcohol 25% Pigment 17% Calcium 8% Mica on a non-woven backing

USE: Wallcovering

Gesso is a mineral material, modelled like clay in this instance. It is a rare skill that only a few people have mastered. The gesso is hand-sculpted by the artisan using a comb, spatula or knife. As it dries, the material sets and retains its sculpted shape. It takes one person one day to sculpt five meters per person.

GESSO PEIGNE BRONZE | CMO_WCA_03_90

50% Polyvinyl Alcohol 25% Pigment 17% Calcium 8% Mica on a non-woven backing

USE: Wallcovering

Gesso is a mineral material, modelled like clay in this instance. It is a rare skill that only a few people have mastered. The gesso is hand-sculpted by the artisan using a comb, spatula or knife. As it dries, the material sets and retains its sculpted shape. It takes one person one day to sculpt five meters per person.

GESSO PEIGNE BRONZE | CMO_WCA_03_90

50% Polyvinyl Alcohol 25% Pigment 17% Calcium 8% Mica on a non-woven backing

USE: Wallcovering

Gesso is a mineral material, modelled like clay in this instance. It is a rare skill that only a few people have mastered. The gesso is hand-sculpted by the artisan using a comb, spatula or knife. As it dries, the material sets and retains its sculpted shape. It takes one person one day to sculpt five meters per person.

GESSO RAYE PERLE | CMO_WCA_04_02

61% Polyvinyl Alcohol 24% Pigment 8% Calcium 7% Mica on a non-woven backing

USE: Wallcovering

Gesso is a mineral material, modelled like clay in this instance. It is a rare skill that only a few people have mastered. The gesso is hand-sculpted by the artisan using a comb, spatula or knife. As it dries, the material sets and retains its sculpted shape. It takes one person one day to sculpt five meters per person.

GESSO RAYE PERLE | CMO_WCA_04_02

61% Polyvinyl Alcohol 24% Pigment 8% Calcium 7% Mica on a non-woven backing

USE: Wallcovering

Gesso is a mineral material, modelled like clay in this instance. It is a rare skill that only a few people have mastered. The gesso is hand-sculpted by the artisan using a comb, spatula or knife. As it dries, the material sets and retains its sculpted shape. It takes one person one day to sculpt five meters per person.

CHANVRE DU NEPAL PIERRE | CMO_WLI_01_02

89% hemp 6% Nylon 5% PL on non woven backing

USE: Wallcovering

The plant fibres follow an unusual path: borrowing their effects from rocks, they find their way to a new sophistication. Weaving water lilies reveals a mineral-style graining. Blending hemp and rattan with metallic threads enlivens the collection with new shades, also inspired by minerals.

ROTIN SABLE | CMO_WRO_01_15

86% Rattan 12% Cotton 2% Copper on a non woven-backing

USE: Wallcovering

The plant fibres follow an unusual path: borrowing their effects from rocks, they find their way to a new sophistication. Weaving water lilies reveals a mineral-style graining. Blending hemp and rattan with metallic threads enlivens the collection with new shades, also inspired by minerals.

SISAL CHANGEANT DUNE | CMO_WSI_01_12

100% Sisal on non woven backing

USE: Wallcovering

Sisal is extracted from the leaves of the agave plant. As the fibre is extremely resistant, it is often used by artisans to make ropes, rugs and fabrics. The raw fibre is combed to even out the strands, which are then woven in weft by hand on a traditional loom. If the sisal is plain, it will be piece-dyed. If incorporated into a variable design, the strands will be dyed in different colours before being woven to add extra richness and depth of colour

CHANVRE DU NEPAL PIERRE | CMO_WLI_01_02

89% hemp 6% Nylon 5% PL on non woven backing

USE: Wallcovering

The plant fibres follow an unusual path: borrowing their effects from rocks, they find their way to a new sophistication. Weaving water lilies reveals a mineral-style graining. Blending hemp and rattan with metallic threads enlivens the collection with new shades, also inspired by minerals.

NENUPHAR CRAIE | CMO_WNE_01_01

52 % Waterlily 29% Paper 19% Cotton on a non-woven backing

USE: Wallcovering

The plant fibres follow an unusual path: borrowing their effects from rocks, they find their way to a new sophistication. Weaving water lilies reveals a mineral-style graining. Blending hemp and rattan with metallic threads enlivens the collection with new shades, also inspired by minerals.

NENUPHAR CRAIE | CMO_WNE_01_01

52 % Waterlily 29% Paper 19% Cotton on a non-woven backing

USE: Wallcovering

The plant fibres follow an unusual path: borrowing their effects from rocks, they find their way to a new sophistication. Weaving water lilies reveals a mineral-style graining. Blending hemp and rattan with metallic threads enlivens the collection with new shades, also inspired by minerals.

ROTIN BRONZE | CMO_WRO_01_90

86% Rattan 12% Cotton 2% Copper on a non woven-backing

USE: Wallcovering

The plant fibres follow an unusual path: borrowing their effects from rocks, they find their way to a new sophistication. Weaving water lilies reveals a mineral-style graining. Blending hemp and rattan with metallic threads enlivens the collection with new shades, also inspired by minerals.

SISAL CHANGEANT MORDORE | CMO_WSI_01_72

100% Sisal on non woven backing

USE: Wallcovering

Sisal is extracted from the leaves of the agave plant. As the fibre is extremely resistant, it is often used by artisans to make ropes, rugs and fabrics. The raw fibre is combed to even out the strands, which are then woven in weft by hand on a traditional loom. If the sisal is plain, it will be piece-dyed. If incorporated into a variable design, the strands will be dyed in different colours before being woven to add extra richness and depth of colour

STRATE SISAL NATUREL | CMO_WSI_04_18

100% Sisal on non woven backing

USE: Wallcovering

Sisal is extracted from the leaves of the agave plant. As the fibre is extremely resistant, it is often used by artisans to make ropes, rugs and fabrics. The raw fibre is combed to even out the strands, which are then woven in weft by hand on a traditional loom. If the sisal is plain, it will be piece-dyed. If incorporated into a variable design, the strands will be dyed in different colours before being woven to add extra richness and depth of colour.

STRATE SISAL NATUREL | CMO_WSI_04_18

100% Sisal on non woven backing

USE: Wallcovering

Sisal is extracted from the leaves of the agave plant. As the fibre is extremely resistant, it is often used by artisans to make ropes, rugs and fabrics. The raw fibre is combed to even out the strands, which are then woven in weft by hand on a traditional loom. If the sisal is plain, it will be piece-dyed. If incorporated into a variable design, the strands will be dyed in different colours before being woven to add extra richness and depth of colour.

SISAL ECLAT BEIGE | CMO_WSI_05_10

100% Sisal on non woven backing

USE: Wallcovering

Sisal is extracted from the leaves of the agave plant. As the fibre is extremely resistant, it is often used by artisans to make ropes, rugs and fabrics. The raw fibre is combed to even out the strands, which are then woven in weft by hand on a traditional loom. If the sisal is plain, it will be piece-dyed. If incorporated into a variable design, the strands will be dyed in different colours before being woven to add extra richness and depth of colour.

SISAL CANNAGE BLOND | CMO_WSI_06_20

100% Sisal on non woven backing

USE: Wallcovering

Sisal is extracted from the leaves of the agave plant. As the fibre is extremely resistant, it is often used by artisans to make ropes, rugs and fabrics. The raw fibre is combed to even out the strands, which are then woven in weft by hand on a traditional loom. If the sisal is plain, it will be piece-dyed. If incorporated into a variable design, the strands will be dyed in different colours before being woven to add extra richness and depth of colour.

SISAL CANNAGE BLOND | CMO_WSI_06_20

100% Sisal on non woven backing

USE: Wallcovering

Sisal is extracted from the leaves of the agave plant. As the fibre is extremely resistant, it is often used by artisans to make ropes, rugs and fabrics. The raw fibre is combed to even out the strands, which are then woven in weft by hand on a traditional loom. If the sisal is plain, it will be piece-dyed. If incorporated into a variable design, the strands will be dyed in different colours before being woven to add extra richness and depth of colour.

SISAL ECLAT BEIGE | CMO_WSI_05_10

100% Sisal on non woven backing

USE: Wallcovering

Sisal is extracted from the leaves of the agave plant. As the fibre is extremely resistant, it is often used by artisans to make ropes, rugs and fabrics. The raw fibre is combed to even out the strands, which are then woven in weft by hand on a traditional loom. If the sisal is plain, it will be piece-dyed. If incorporated into a variable design, the strands will be dyed in different colours before being woven to add extra richness and depth of colour.

NENUPHAR TABAC | CMO_WNE_01_70

52 % Waterlily 29% Paper 19% Cotton on a non-woven backing

USE: Wallcovering

The plant fibres follow an unusual path: borrowing their effects from rocks, they find their way to a new sophistication. Weaving water lilies reveals a mineral-style graining. Blending hemp and rattan with metallic threads enlivens the collection with new shades, also inspired by minerals.

NENUPHAR TABAC | CMO_WNE_01_70

52 % Waterlily 29% Paper 19% Cotton on a non-woven backing

USE: Wallcovering

The plant fibres follow an unusual path: borrowing their effects from rocks, they find their way to a new sophistication. Weaving water lilies reveals a mineral-style graining. Blending hemp and rattan with metallic threads enlivens the collection with new shades, also inspired by minerals.

NENUPHAR TABAC | CMO_WNE_01_70

52 % Waterlily 29% Paper 19% Cotton on a non-woven backing

USE: Wallcovering

The plant fibres follow an unusual path: borrowing their effects from rocks, they find their way to a new sophistication. Weaving water lilies reveals a mineral-style graining. Blending hemp and rattan with metallic threads enlivens the collection with new shades, also inspired by minerals.

ROTIN SABLE | CMO_WRO_01_15

86% Rattan 12% Cotton 2% Copper on a non woven-backing

USE: Wallcovering

The plant fibres follow an unusual path: borrowing their effects from rocks, they find their way to a new sophistication. Weaving water lilies reveals a mineral-style graining. Blending hemp and rattan with metallic threads enlivens the collection with new shades, also inspired by minerals.

ROTIN BRONZE | CMO_WRO_01_90

86% Rattan 12% Cotton 2% Copper on a non woven-backing

USE: Wallcovering

The plant fibres follow an unusual path: borrowing their effects from rocks, they find their way to a new sophistication. Weaving water lilies reveals a mineral-style graining. Blending hemp and rattan with metallic threads enlivens the collection with new shades, also inspired by minerals.

ROTIN BRONZE | CMO_WRO_01_90

86% Rattan 12% Cotton 2% Copper on a non woven-backing

USE: Wallcovering

The plant fibres follow an unusual path: borrowing their effects from rocks, they find their way to a new sophistication. Weaving water lilies reveals a mineral-style graining. Blending hemp and rattan with metallic threads enlivens the collection with new shades, also inspired by minerals.

SISAL CHANGEANT DUNE | CMO_WSI_01_12

100% Sisal on non woven backing

USE: Wallcovering

Sisal is extracted from the leaves of the agave plant. As the fibre is extremely resistant, it is often used by artisans to make ropes, rugs and fabrics. The raw fibre is combed to even out the strands, which are then woven in weft by hand on a traditional loom. If the sisal is plain, it will be piece-dyed. If incorporated into a variable design, the strands will be dyed in different colours before being woven to add extra richness and depth of colour

SISAL CHANGEANT MORDORE | CMO_WSI_01_72

100% Sisal on non woven backing

USE: Wallcovering

Sisal is extracted from the leaves of the agave plant. As the fibre is extremely resistant, it is often used by artisans to make ropes, rugs and fabrics. The raw fibre is combed to even out the strands, which are then woven in weft by hand on a traditional loom. If the sisal is plain, it will be piece-dyed. If incorporated into a variable design, the strands will be dyed in different colours before being woven to add extra richness and depth of colour

SISAL CHANGEANT MORDORE | CMO_WSI_01_72

100% Sisal on non woven backing

USE: Wallcovering

Sisal is extracted from the leaves of the agave plant. As the fibre is extremely resistant, it is often used by artisans to make ropes, rugs and fabrics. The raw fibre is combed to even out the strands, which are then woven in weft by hand on a traditional loom. If the sisal is plain, it will be piece-dyed. If incorporated into a variable design, the strands will be dyed in different colours before being woven to add extra richness and depth of colour

MURIER CHEVRON

100% mulberry on non woven backing

3 Colors In this Collection

Like marquetry, themulberry tree rises in graphic and refined spheres . Behind these visual creations, extensive work is carried out on the mulberry pulp, wich offers the craftsman these finishes only after undergoing a series of steps in his hands. It is solely once it has been tamed that he can patiently handcraft his designs and let their tones vibrate.

MURIER

100% mulberry on non woven backing

5 Colors In this Collection

Like marquetry, themulberry tree rises in graphic and refined spheres . Behind these visual creations, extensive work is carried out on the mulberry pulp, wich offers the craftsman these finishes only after undergoing a series of steps in his hands. It is solely once it has been tamed that he can patiently handcraft his designs and let their tones vibrate.

BOIS CHEVRON

100% wood on non woven backing

4 Colors In this Collection

It could be mistaken for a palm tree, but the screw pine is distincly different. This plant, prized in basketry, fuses here with linen creating unique contrasts. Under the expert hand of the master artisan who skillfully crafts them, delicate stripes appear, sometimes intermingling with silver reflections for the darker hues.

BOIS CHEVRON

100% wood on non woven backing

4 Colors In this Collection

It could be mistaken for a palm tree, but the screw pine is distincly different. This plant, prized in basketry, fuses here with linen creating unique contrasts. Under the expert hand of the master artisan who skillfully crafts them, delicate stripes appear, sometimes intermingling with silver reflections for the darker hues.

BOIS

100% wood on non woven backing

5 Colors In this Collection

It could be mistaken for a palm tree, but the screw pine is distincly different. This plant, prized in basketry, fuses here with linen creating unique contrasts. Under the expert hand of the master artisan who skillfully crafts them, delicate stripes appear, sometimes intermingling with silver reflections for the darker hues.

BOIS

100% wood on non woven backing

5 Colors In this Collection

It could be mistaken for a palm tree, but the screw pine is distincly different. This plant, prized in basketry, fuses here with linen creating unique contrasts. Under the expert hand of the master artisan who skillfully crafts them, delicate stripes appear, sometimes intermingling with silver reflections for the darker hues.

BOIS ALVEOLE

100% wood on non woven backing

3 Colors In this Collection

It could be mistaken for a palm tree, but the screw pine is distincly different. This plant, prized in basketry, fuses here with linen creating unique contrasts. Under the expert hand of the master artisan who skillfully crafts them, delicate stripes appear, sometimes intermingling with silver reflections for the darker hues.

BOIS ALVEOLE

100% wood on non woven backing

3 Colors In this Collection

It could be mistaken for a palm tree, but the screw pine is distincly different. This plant, prized in basketry, fuses here with linen creating unique contrasts. Under the expert hand of the master artisan who skillfully crafts them, delicate stripes appear, sometimes intermingling with silver reflections for the darker hues.

VACAO LIN

70% pandan leaves 30% linen on non woven backing

9 Colors In this Collection

It could be mistaken for a palm tree, but the screw pine is distincly different. This plant, prized in basketry, fuses here with linen creating unique contrasts. Under the expert hand of the master artisan who skillfully crafts them, delicate stripes appear, sometimes intermingling with silver reflections for the darker hues.

PAPYRUS

100% sea grass on non woven backing

3 Colors In this Collection

It could be mistaken for a palm tree, but the screw pine is distincly different. This plant, prized in basketry, fuses here with linen creating unique contrasts. Under the expert hand of the master artisan who skillfully crafts them, delicate stripes appear, sometimes intermingling with silver reflections for the darker hues.

PAPYRUS

100% sea grass on non woven backing

It could be mistaken for a palm tree, but the screw pine is distincly different. This plant, prized in basketry, fuses here with linen creating unique contrasts. Under the expert hand of the master artisan who skillfully crafts them, delicate stripes appear, sometimes intermingling with silver reflections for the darker hues.

PAPYRUS FIN

100% sea grass on non woven backing

4 Colors In this Collection

It could be mistaken for a palm tree, but the screw pine is distincly different. This plant, prized in basketry, fuses here with linen creating unique contrasts. Under the expert hand of the master artisan who skillfully crafts them, delicate stripes appear, sometimes intermingling with silver reflections for the darker hues.

PAPYRUS TRESSE

100% sea grass on non woven backing

3 Colors In this Collection

It could be mistaken for a palm tree, but the screw pine is distincly different. This plant, prized in basketry, fuses here with linen creating unique contrasts. Under the expert hand of the master artisan who skillfully crafts them, delicate stripes appear, sometimes intermingling with silver reflections for the darker hues.

RAMIE

100% ramie on non woven backing

6 Colors In this Collection

Elegance. Sophistication. Nonetheless, white nettle is incredibly resistant. It’s the craftsman's complex know-how that converts its force into finesse, offering very natural matt effects where the sobriety of the fiber, intermittently animated by metallic effects, prevails.

RAPHIA ROSACE

100% raffia on non woven backing

4 Colors In this Collection

Raffia has achieved a new handicraft feat : it has embodied 3 dimensiosn. Thus it presents itself crafted in two ways, in a creation which doubles its natural beauty with true creative originality. With its pompoms placed randomly by the craftsman, sometimes even tinted manually in tie-dye, it is adorned with lightness. Also used for the backing, raffia gives the evanescent dance of the pompoms a rawer base, with an irregularity that gives all its soul to the weave. At its side, the craftsman offers a series that awakens the raffia weft with a brushstroke on the fly.

RAPHIA ROSACE

100% raffia on non woven backing

4 Colors In this Collection

Raffia has achieved a new handicraft feat : it has embodied 3 dimensiosn. Thus it presents itself crafted in two ways, in a creation which doubles its natural beauty with true creative originality. With its pompoms placed randomly by the craftsman, sometimes even tinted manually in tie-dye, it is adorned with lightness. Also used for the backing, raffia gives the evanescent dance of the pompoms a rawer base, with an irregularity that gives all its soul to the weave. At its side, the craftsman offers a series that awakens the raffia weft with a brushstroke on the fly.

RAPHIA RAYURES

100% raffia on non woven backing

3 Colors In this Collection

Raffia has achieved a new handicraft feat : it has embodied 3 dimensiosn. Thus it presents itself crafted in two ways, in a creation which doubles its natural beauty with true creative originality. With its pompoms placed randomly by the craftsman, sometimes even tinted manually in tie-dye, it is adorned with lightness. Also used for the backing, raffia gives the evanescent dance of the pompoms a rawer base, with an irregularity that gives all its soul to the weave. At its side, the craftsman offers a series that awakens the raffia weft with a brushstroke on the fly.

RAPHIA RAYURES

100% raffia on non woven backing

3 Colors In this Collection

Raffia has achieved a new handicraft feat : it has embodied 3 dimensiosn. Thus it presents itself crafted in two ways, in a creation which doubles its natural beauty with true creative originality. With its pompoms placed randomly by the craftsman, sometimes even tinted manually in tie-dye, it is adorned with lightness. Also used for the backing, raffia gives the evanescent dance of the pompoms a rawer base, with an irregularity that gives all its soul to the weave. At its side, the craftsman offers a series that awakens the raffia weft with a brushstroke on the fly.

RAPHIA PUR

100% raffia on non woven backing

7 Colors In this Collection

Raffia has achieved a new handicraft feat : it has embodied 3 dimensiosn. Thus it presents itself crafted in two ways, in a creation which doubles its natural beauty with true creative originality. With its pompoms placed randomly by the craftsman, sometimes even tinted manually in tie-dye, it is adorned with lightness. Also used for the backing, raffia gives the evanescent dance of the pompoms a rawer base, with an irregularity that gives all its soul to the weave. At its side, the craftsman offers a series that awakens the raffia weft with a brushstroke on the fly.

SISAL LOSANGE

100% sisal on non woven backing

5 Colors In this Collection

In this luxurious universe, sisal expresses its precious vision. Its large leaves are individually handlaid and positioned to allow each one to play differently with light. Thanks to the master craftsman's precision, the extraordinary geometric patchwork reveals the base of the wallcovering, a mix of gloss and matt sublimate the fiber.

SISAL LOSANGE

100% sisal on non woven backing

5 Colors In this Collection

In this luxurious universe, sisal expresses its precious vision. Its large leaves are individually handlaid and positioned to allow each one to play differently with light. Thanks to the master craftsman's precision, the extraordinary geometric patchwork reveals the base of the wallcovering, a mix of gloss and matt sublimate the fiber.

SISAL CARRÉ

100% sisal on non woven backing

5 Colors In this Collection

In this luxurious universe, sisal expresses its precious vision. Its large leaves are individually handlaid and positioned to allow each one to play differently with light. Thanks to the master craftsman's precision, the extraordinary geometric patchwork reveals the base of the wallcovering, a mix of gloss and matt sublimate the fiber.

SISAL CARRÉ

100% sisal on non woven backing

5 Colors In this Collection

In this luxurious universe, sisal expresses its precious vision. Its large leaves are individually handlaid and positioned to allow each one to play differently with light. Thanks to the master craftsman's precision, the extraordinary geometric patchwork reveals the base of the wallcovering, a mix of gloss and matt sublimate the fiber.

SISAL

100% sisal on non woven backing

3 Colors In this Collection

In this luxurious universe, sisal expresses its precious vision. Its large leaves are individually handlaid and positioned to allow each one to play differently with light. Thanks to the master craftsman's precision, the extraordinary geometric patchwork reveals the base of the wallcovering, a mix of gloss and matt sublimate the fiber.

WCU 01-75-Cuir

WCU 01-75 CUIR

WRA 01-70 Raphia Banane

WRA 02-40 Raphia tresse

WLI 01-01 Chanvre du Nepal

WPA - 04 - Palmier Buri